LIGNA RADIO GROUP IN NOVI SAD AND BELGRADE!

Theoretical and experimental works by radio group LIGNA are going to be presented as a part of the projects Almostreal, No More Reality and Neighborhood Public Radio, in the organization of Centre for New Media kuda.org and Prelom kolektiv.

The independent radio group LIGNA (in existence since 1995) consists of the media theoreticians and radio artists Ole Frahm, Michael H�nersn and Torsten Michaelsen, who work in the Freien Sender Kombinat (FSK - �Free Broadcaster Combine"), a non-commercial, local radio in Hamburg. LIGNA repeatedly designs experimental situations, which aim for the transgression of conventionally attributed competencies and the common fields of application of radio technology or the re-actualization of its inherent, but forgotten or ignored potentials.

During the stay in Belgrade and Novi Sad, LIGNA is going to present its work in the form of workshop and site-specific intervention in Novi Sad and exhibition and discussion in Belgrade, according to the following timetable:

SATURDAY, DECEMBER 17 2005
workshop, Centre for New Media kuda.org, Novi Sad

SUNDAY, DECEMBER 18 2005
action within NPR mobile radio platform organized by kuda.org

DECEMBER 20 - 22
UNCONTROLLABLE SITUATIONS: MODELS FOR DIFFERENT RADIO USAGES
a part of No more reality project: phase 1,

Opening: DECEMBER 20, 8 p.m., Cultural Centre Rex

Program editors: Claire Staebler and Jelena Vesi�
Coordinators: Ana Nikitovi� and Radmila Joksimovi�
Organized by: Prelom kolektiv and Cultural Centre Rex

WEDNESDAY, DECEMBER 21 2005, 8 p.m.
panel discussion: Radio aRtivizam
Cultural Centre Rex

Participants: Du�an Grlja (Prelom), Kristijan Luki� (kuda.org), Neboj�a Miliki� (Belgrade Correspondent Project), Claire Staebler (radiodays), Ligna (radio FSK),
Moderator: Jelena Vesi�

WORKSHOP IN CENTRE FOR NEW MEDIA_kuda.org

Workshop of radio collective Ligna in the Centre for New Media_kuda.org will investigate in practice the field of radio activism on-site. The action is a product of joint effort during the workshop and represents ad hoc, flexible model of the way artistic
context intervenes in the public sphere.